co:evo ↗
Avanguardia Sensoriale ↗
La Forma del Mare ↗
co:evo, Issue 01: Imitating
[2025]
Art direction—Editorial design
Coevo comes from the latin term coaevus, meaning "belonging to the same era," and reinterprets it to convey a complex and interconnected simultaneity between nature, humanity, and technology.
The magazine examines the co-evolution
of these three entities, with the aim of offering
a sustainable and cross-disciplinary perspective
on the transformative processes that shape
contemporary times.
In a context where the boundaries between natural and artificial, biological and technological, human and post-human are increasingly blurred, Coevo explores the connections and mutual influences among these dimensions, redefining environments, identities, relationships, and systems.
Through a hybrid visual language and a fluid editorial structure, the magazine positions itself as a space
for critical observation and imaginative speculation.
Each issue brings together visual essays, theoretical reflections, and experimental narratives, fostering dialogue between design, science, and philosophy.
Coevo comes from the latin term coaevus, meaning "belonging to the same era," and reinterprets it to convey a complex and interconnected simultaneity between nature, humanity, and technology.
The magazine examines the co-evolution of these three entities, with the aim of offering a sustainable and cross-disciplinary perspective on the transformative processes that shape contemporary times.
In a context where the boundaries between natural and artificial, biological and technological, human and post-human are increasingly blurred, Coevo explores the connections and mutual influences among these dimensions, redefining environments, identities, relationships, and systems.
Through a hybrid visual language and a fluid editorial structure, the magazine positions itself as a space for critical observation and imaginative speculation.
Each issue brings together visual essays, theoretical reflections, and experimental narratives, fostering dialogue between design, science, and philosophy.
Coevo comes from the latin term coaevus, meaning "belonging to the same era," and reinterprets it to convey a complex and interconnected simultaneity between nature, humanity, and technology.
The magazine examines the co-evolution of these three entities, with the aim of offering a sustainable and cross-disciplinary perspective on the transformative processes that shape contemporary times.
In a context where the boundaries between natural and artificial, biological and technological, human and post-human are increasingly blurred, Coevo explores the connections and mutual influences among these dimensions, redefining environments, identities, relationships, and systems.
Through a hybrid visual language and a fluid editorial structure, the magazine positions itself as a space for critical observation and imaginative speculation.
Each issue brings together visual essays, theoretical reflections, and experimental narratives, fostering dialogue between design, science, and philosophy.
Bachelor
Thesis project
Main themes
— Neuromarketing
— Perfumery
— Contemporary art
Avanguardia Sensoriale, ADG Avantgarde
Avanguardia Sensoriale,ADG Avantgarde
[2024]
Bachelor
Thesis project
Main themes
— Neuromarketing
— Perfumery
— Contemporary art
Communication design—Event design
Avanguardia Sensoriale explores the design and launch of a new flanker for Giorgio Armani’s Acqua di Giò fragrance line, introduced through an immersive event experience.
The project envisions a multi-sensory launch event hosted at Museo del Novecento in Milan, chosen for its strong artistic and cultural identity. The goal is
to create an experience that deeply engages the audience, allowing them to connect with the essence of the new fragrance through sight, sound, and scent.
Inside the museum, four experiential spaces are designed: a temporary store and three sensorial rooms inspired by Futurism, Metaphysical Art, and Lucio Fontana: the same artistic movements that shaped the identity of the new perfume. Each room diffuses a unique aromatic composition that reflects its artistic reference, paired with visuals, soundscapes, and digital installations to create a fully immersive atmosphere.
Through this sensorial journey, visitors are invited to explore how art and scent can merge to evoke emotion and meaning, transforming the perception
of a fragrance into a cultural experience.
Avanguardia Sensoriale explores the design and launch of a new flanker for Giorgio Armani’s Acqua di Giò fragrance line, introduced through an immersive event experience.
The project envisions a multi-sensory launch event hosted at Museo del Novecento in Milan, chosen for its strong artistic and cultural identity. The goal is to create an experience that deeply engages the audience, allowing them to connect with the essence of the new fragrance through sight, sound, and scent.
Inside the museum, four experiential spaces are designed: a temporary store and three sensorial rooms inspired by Futurism, Metaphysical Art, and Lucio Fontana: the same artistic movements that shaped the identity of the new perfume. Each room diffuses a unique aromatic composition that reflects its artistic reference, paired with visuals, soundscapes, and digital installations to create a fully immersive atmosphere.
Through this sensorial journey, visitors are invited to explore how art and scent can merge to evoke emotion and meaning, transforming the perception of a fragrance into a cultural experience.
Avanguardia Sensoriale explores the design and launch of a new flanker for Giorgio Armani’s Acqua di Giò fragrance line, introduced through an immersive event experience.
The project envisions a multi-sensory launch event hosted at Museo del Novecento in Milan, chosen for its strong artistic and cultural identity. The goal is to create an experience that deeply engages the audience, allowing them to connect with the essence of the new fragrance through sight, sound, and scent.
Inside the museum, four experiential spaces are designed: a temporary store and three sensorial rooms inspired by Futurism, Metaphysical Art, and Lucio Fontana: the same artistic movements that shaped the identity of the new perfume. Each room diffuses a unique aromatic composition that reflects its artistic reference, paired with visuals, soundscapes, and digital installations to create a fully immersive atmosphere.
Through this sensorial journey, visitors are invited to explore how art and scent can merge to evoke emotion and meaning, transforming the perception of a fragrance into a cultural experience.
Team
La Forma del Mare
[2022]
Typographic editorial design
La Forma del Mare is a typographic magazine designed using Roc Grotesk by Adobe Fonts, exploring the expressive potential of a single typeface across its entire family of styles.
The project was developed within an academic context, where students were asked to design a magazine using only one font. The chosen theme centers on the musical worlds of Sina and Bresh,
two Italian artists whose works share a recurring motif: the sea.
The magazine seeks to translate the artists’ distinct styles and personalities through typographic experimentation and a minimal chromatic palette
of white and blue.
At its core, La Forma del Mare explores the relationship between music, typography, and emotion, transforming the act of reading into a rhythmic, visual, and sensorial experience.
La Forma del Mare is a typographic magazine designed using Roc Grotesk by Adobe Fonts, exploring the expressive potential of a single typeface across its entire family of styles.
The project was developed within an academic context, where students were asked to design a magazine using only one font. The chosen theme centers on the musical worlds of Sina and Bresh, two Italian artists whose works share a recurring motif: the sea.
The magazine seeks to translate the artists’ distinct styles and personalities through typographic experimentation and a minimal chromatic palette of white and blue.
At its core, La Forma del Mare explores the relationship between music, typography, and emotion, transforming the act of reading into a rhythmic, visual, and sensorial experience.
La Forma del Mare is a typographic magazine designed using Roc Grotesk by Adobe Fonts, exploring the expressive potential of a single typeface across its entire family of styles.
The project was developed within an academic context, where students were asked to design a magazine using only one font. The chosen theme centers on the musical worlds of Sina and Bresh, two Italian artists whose works share a recurring motif: the sea.
The magazine seeks to translate the artists’ distinct styles and personalities through typographic experimentation and a minimal chromatic palette of white and blue.
At its core, La Forma del Mare explores the relationship between music, typography, and emotion, transforming the act of reading into a rhythmic, visual, and sensorial experience.
Team
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© 2025—Marco Arrigoni, All rights reserved